This special issue of VIEW was inspired by a call from the final conference of the project “European History Reloaded: Curation and Appropriation of Digital Audiovisual Heritage” (CADEAH). The project brought together interdisciplinary expertise in the curation of digital audiovisual heritage, contemporary European history and Digital Humanities to study the ‘afterlife’ of digitized audiovisual heritage once it was made accessible and shared online, something that has seen a great deal of growth throughout the first two decades of this century.

What happens to digitized audiovisual heritage once it is shared online? How does audiovisual heritage circulate online? To what extent do users re-use or re-mix audiovisual heritage? And, more specifically from an archival perspective: How do strategies of curation shape the appropriation of digitized heritage? What new perspectives on European history and identity do digital curations and appropriations of audiovisual heritage create? How can audiovisual archives better foster the re-use of Europe’s audiovisual heritage?

With this issue we wanted to broaden our view and discuss our insights with scholars from diverse disciplines and with diverse professional backgrounds. These articles showcase the methodological and conceptual approaches that are being used across Europe to understand, and encourage, the use of audiovisual heritage, investigating contemporary practices of re-use and the ways that archives themselves think about these challenges.